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Other names:
Botanical description:
This plant can reach up to 2.5 meters in height, with smooth bark and sparse cataphylls. The stipules may disintegrate or persist over time and have an entire keel. Its branches are flexible, and those bearing flowers have leaves. The elliptical to oblanceolate leaves are pale green with an obtuse or acute apex, and they may or may not have venation lines. Their texture is thinly membranous, and the midrib on the upper surface is flat.
Habitat and distribution:
It is believed that this variety of coca was domesticated in the chaupiyunga zone of northwestern Peru, in the seasonally dry forests of the western slopes of the Andes. Adapted to drought, its cultivation has relied since ancient times on artificial irrigation, a technology that spread across the Peruvian coast. In pre-Columbian times, it was cultivated from Ecuador to northern Chile. Today, it is still grown near the city of Trujillo and in the arid Marañón River valley, with some isolated populations in northern Ecuador near the border with Colombia.
Botanical history:
This variety was first described in 1900 by botanist and pharmacist Henry H. Rusby, based on leaves freely traded in the United States and sourced from the Trujillo region of Peru. In 1980, Timothy Plowman granted it the status of a variety of the species E. novogranatense (E. novogranatense var. truxillense), including in the synonymy of this variety a species described by Peruvian botanist Eduardo Machado as Erythroxylum hardinii Machado.
Forms of use:
In northern Peru, Trujillo coca leaves have traditionally been consumed along with lime made from seashells, reflecting the ancient connections between coastal populations and the chaupiyunga. Although European colonization affected many of the traditional practices related to coca, its use has persisted, especially in the coastal valleys that rise toward the Andes, in highland settlements such as Huamachuco, and among communities in the arid Marañón valley. In some of these areas, coca leaves are even mixed with those of Abrus precatorius L., known in the region as “máquina” or “miski miski”.
Since pre-Hispanic times, coastal coca from Trujillo has been valued for its sweet taste, making it a favorite of the Inca rulers of Tahuantinsuyo, who named it Thupa Coca or Royal Coca. In the 19th century, chemical, botanical, and pharmacological investigations revealed that this variety contains a higher proportion of non-crystallizable alkaloids, which complicates cocaine extraction but is offset by a higher content of oils and aromatic compounds. This uniqueness has made it prominent in the production of stimulating tonics and beverages such as Coca-Cola, which uses these leaves to make its “Fluid Extract Coca,” known as ingredient “7X” in Merchandise 5, the secret formula. During this process, the leaves undergo “decocainization,” extracting the cocaine, which is then sold to American pharmaceutical companies, particularly Mallinckrodt.
KHOKA PROJECT
LISTA DE COLABORADORES
Dirección: Susana Mejía Villa
Antropólogo: Jairo Upegui
Investigación | Producción: Daniel Montoya
Consultora de Arte: María Wills
Asistente de Investigación: Marcelo Pérez
Gestión de imágenes | Licencias: Margarita Rada
Videografía: Sara Nanclares
Fotografía | Registro en campo: Susana Mejía, Daniel Montoya y Jorge Montoya
Diseño arquitectónico: Pascual Celis
Ilustración | Diseño gráfico: Lina Rada
Edición de imágenes | Fotografía de estudio y plantas: Elisa Echavarría
Monotipos: Ángela Restrepo
Visualización de archivo: Santiago Ortiz
Químico investigador: Luis Miguel Arana
Visualización química: Anderson Exlonk Gil
Asesor botánico: Orlando Adolfo Jara
Jardinería | Herbario: Sara Aristizábal
Jardinería | Servicios Generales: Elvis Peña
Diseño Web: Daniel Pulgarín, Angélica Gómez
Diseño sonoro: Pablo Melo
Proyecto “Comunidades”: Inspiralab
AGRADECIMIENTOS
Emma Velásquez, Rafael Mejía, Clemencia Villa, Luis Carlos Mejía, Pedro Mejía, Jairo Upegui, Eduardo Arango, Daniel Montoya, Elvis Peña, Dawson White, Wade Davis, Anthony Henman, Paul Gootenberg, Christopher McCurdy, Pascual Celis, Natalia Celis, Ángela Restrepo, Julián Posada, Ignacio Piedrahita, Álvaro Cogollo, Norberto López, Silvia Restrepo, Sdenka Silva, Jorge Montoya, Danilo Villafaña, Dora Troyano, Baldomero Cáceres, María Wills, Nicolás Wills, Juan Camilo Miranda, Korina Perdomo, Sara Nanclares, Vanessa Ramírez, Sandra González, Daniela Ospina, Daniel Pulgarín, Pablo Melo, Roberto Sierra, Inspira Lab, Mottif, Taller Talante, Mesa Estándar, Buen Vestir.
Jardín Botánico de Medellín, Colección Banco de la República de Colombia, Met Lab Universidad de los Andes, Empresa Nacional de la Coca del Perú, Patrimonio Filmico Colombiano, Biblioteca Ludlow – Santo Domingo y Dumbarton Oaks Museum de Harvard University, Kew Royal Botanic Gardens, Muséum national d’Histoire naturelle de Paris, Smithsonian National Museum of Natural History, Field Museum, The Royal Danish Library, Missouri Botanical Garden, Museo Larco, Museo Casa del Alabado, MALI, Museo de América, Colección Presley Norton, Bibliotheque nationale de France BnF, New York Botanical Garden, New York Public Library, John Carter Brown Library, Real Jardín Botánico de Madrid, The LuEsther T. Mertz Library, Natural History Museum Library, Universitäts- und Landesbibliothek Dü sseldorf, Wellcome Collection, The Museum of Fine Arts Houston, The Cleveland Museum of Art, The Cleveland Museum of Art, Museo Antropológico y de Arte Contemporáneo MAAC.